Description
The piece depicts an intimate and unsettling moment in the life of a mature woman grappling with the modern world of dating.
The figure, with disproportionate body dimensions, is shown in a private moment in the bathroom, holding a smartphone – the tool meant to connect her to the world but, in reality, accentuates her loneliness.
The contrast between her legs – one covered and the other exposed – hints at a certain detachment from reality as she is immersed in the virtual world.
The speech bubble “Excuse Me” takes on a dual meaning – on one hand, she apologizes for her existence, her body, her presence in the world, and on the other, she apologizes to the potential suitors she rejects.
This paradox – between the deep desire for connection and the protective walls she has built around herself out of fear of being hurt again – is sharply expressed in the painting.
The choice to portray the figure in the bathroom, the most intimate of spaces, engaged with her phone, highlights the absurdity of the digital dating age – how even in our most private moments, we remain tied to the pursuit of love, yet this connection remains virtual, distant, and lonely.
This piece reflects the complexities of seeking love in the modern age, the fear of genuine intimacy, and the cruel cycle of self-rejection and rejection of others.




